Tell us about your art practice: It’s highly ritualised. Every night I prime two pieces of chipboard, always the same size, 60 by 60 cms. The next morning, first thing, still under the influence of the dream state, I paint for ten to twenty minutes, to a set jazz soundtrack, buzzing from the effect of an extremely strong cup of coffee, producing two new paintings, after which I’m completely burnt out. My source material is 34 images of Impressionist paintings I’ve cut out of books.